2012 in Music Videos

I’m a real sucker for a good music video. Always have been, always will be. I can spend hours in front of Youtube drinking in the fashions, memorising the dance moves and generally living a little vicariously through the theatrics that make up some of the best three minutes committed to film. 
 

We’ve seen nothing from Lady Gaga this year. Beyonce has been too busy raising child. And I’m not even going to acknowledge Psy’s Gangnam Style. So, in no particular order, here’s what I’ve enjoyed watching most in 2012 …

Candy Candy Candy – Kyary Pamyu Pamyu

I could happily live in this video. The Hello Kitty colours, the disco balls, the crazy dancing onion. It's pure J-Pop joy.

I Fink You Freeky – Die Antwoord

It was so hard picking just one Die Antwoord video. They’re all amazing (even if their latest does ridicule Gaga). Because I mentioned Baby on Fire in my previous post, I’m going plum for I Fink You Freeky. Beautifully shot by acclaimed South African photographer Roger Ballen, this is stunningly dark stuff. 

Laura – Bat for Lashes

Oh, how I welled up when I first saw this. Tender, delicate, heart-warming. Natasha Khan ditches the headdresses and twirls an ageing ‘superstar’ around a dreamily lit stage.

Bad Girls – MIA

Say what you like about MIA, the girl sure makes some of the best music videos. This has already topped most end-of-year lists and scooped a ton of prizes, and it’s easy to see why. A big, ballsy work that mocks the expectations of the music video itself and its objectification of women. 

Girl Gone Wild - Madonna

This is Madonna showing all the young pretenders how it’s done.  She’s even recruited Kazaky in this one. If I’m honest, these muscle men in heels are the only reason Girl Gone Wild has made the list. Well, them and seeing Madonna looking as beautifully blonde as she did in her Erotica days.

Every Night I Say A Prayer - Little Boots

Bendy boys in leggings and crop tops do the best vogueing since, well, Vogue. Makes me want to visit a New York drag ball.   

Sweet Nothing - Calvin Harris feat. Florence and the Machine

Florence Welch is a battered girlfriend. She sings in a working men’s club. Calvin Harris pays some hardnuts to beat the shit out of her abusive lover ... Flo makes a good-looking man, too.

Hood - Perfume Genius
Simple and so lovely. Effeminate Mike Hadreas is cradled and dressed up by a beefy gay pornstar. Understated and gently touching.

Ke$ha: Warrior

I like girls who rap. I quite like glitter. And I really like getting hammered. It kinda goes without saying that I have a lot of time for Ke$ha.

Since I secretly purchased her debut record Animal, Ke$ha’s auto-tuned snarls have featured on many a pre-drinking playlist, playfully nudging me to brush my teeth with a bottle of whiskey and get rather rowdy. So it was with much excitement that I got my hands on her second album proper, Warrior. 

Earlier in the year Ke$ha promised a record mostly inspired by 70’s rock and the blues. In interviews she was threatening to expand her musical repertoire and move away from playground chants to develop something deeper that explored her spiritual journey (huh?!). Like I did with Christina Aguilera during her Back to Basics phase, I almost struck Ke$ha off my radar. I’m never interested in hearing a pop princess get serious with stripped back guff, and I certainly didn’t want to see Ke$ha swap her unhygienic rags for a look more wholesome. I wanted the same obnoxious odes to blacking out and getting laid in the backs of cars nasally screeched over squelchy electro beats. And, thankfully, that’s mostly what Ke$ha serves up again on Warrior. Hurrah! With Dr Luke, Will.i.am, fun., Max Martin and even Iggy Pop involved, Warrior is a big mix of electro-pop, dance and radio-friendly rock all shot through with Ke$ha’s cracking wordplay and knack for making something as innocent as going to the mall sound disgustingly crude.

  

While it’s not going to set the world on fire, Warrior certainly has its sights fixed on burning up plenty of dancefloors. From its stomping title-track opener to the ghost-loving Supernatural (complete with a Daft Punk-esque break), she takes us on a fast tour of dirty clubs, super late nights and getting wasted like there’s no tomorrow. She’s the ultimate YOLO advocate, celebrating the joys of being young and reckless and basically never ever apologising for fucking up. The only growing up Ke$ha appears to have done is to swap her bottle of Jack Daniel’s for a warm wine cooler.
    

Like any pop record, a couple of ballads are thrown into mix. They’re pretty forgettable and only worth the listen if you’re in any doubt that Ke$ha can actually sing. Most of her haters take issue with her fondness for auto-tune, and while she’ll never be a Mariah, tracks such as Past Lives and Wonderland prove that she can in fact hold a tune unaided.

I know I’m not going to win any cool points in professing my love for this grubby pop tart, but she’ll always be a first pick for any party playlist. Like Ke$ha, I recall walks of shame and rolling into work smelling of Bacardi breezers; I look back fondly on times passed out in the street wearing short shorts and a string vest; I even remember getting totally battered and blowing a shit load of glitter in someone’s unimpressed face (Ke$ha and I would so be best friends!). If you like your pop unapologetically fun, stupid and ridiculously catchy, then Ke$ha’s your girl.

Ke$ha still not for you? Here are a few other favourite brats to get a bit $leazy to: